Ralph Ellison’s masterpiece novel, “Invisible Man,” was greeted as a sensation in both content and style when it was first published in 1952. The surreal first-person bildungsroman tale of a young man seeking affirmation of his identity as a Black citizen in America continues to be ranked among the best works of American literature of the 20th century. Ellison became the first African American writer awarded the National Book Award for Literature when he won the prize for the novel in 1953.

“Invisible Man” is a reflection on race and humanity in an era of Jim Crow repression and Black urban migration. It charts the challenging and often-nightmarish experiences of an unnamed narrator’s physical and metaphysical travel from the American South to New York City, where he becomes deeply immersed as a witness-participant in the complex politics and cross-cultural life of Harlem. Ellison’s improvisational approach to the novel’s structure reflects his love of blues and jazz, and his incorporation of parody, puns and wordplay honor the richness of black humor and the vernacular tradition.

Ellison left school in Tuskegee, Alabama (where he studied music and read canonical literature in the library), to go to Manhattan in the mid-1930s. His employment as a folklorist with the Harlem Federal Writers’ Project and the encouragement he received from Langston Hughes and Richard Wright laid a foundation for his creation of “Invisible Man” and his long career as an essay writer and cultural critic.

The famous opening lines of the novel’s prologue (“I am an invisible man … simply because people refuse to see me”) have retained their significance into current times, and Ellison continues to inspire rising writers and readers. With “Invisible Man,” he opened a path that led to the Black Arts Movement of a following generation and spoke to existential and universal aspects of the human condition.